Story

Why there are sea monsters lurking in early world maps

16th and early 17th century maps hint at how people’s perception of the ocean has changed over time

Sea monsters

Sea monsters have long captured the human imagination, appearing as fearsome creatures on ancient nautical maps. These mythical beings, often depicted with serpentine bodies and monstrous features, served as both warnings and wonders to early mariners. From the kraken to the leviathan, each sea monster told a story of the unknown depths of the ocean. This page delves into the fascinating world of these legendary creatures, exploring their origins, symbolism, and the role they played in maritime lore. Join us as we navigate through history, uncovering the mysteries of sea monsters on old maps.

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A beautiful selection of hand-painted animals, cherubs, and mythical creatures set against a sphere with two ribbons featuring text that reads: Heamisphaerium Australe and Stellatum Antiquum.

Colourful maps (link to different map)

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Sea monsters have been a fascinating and enduring element of cartography for centuries. From medieval maps to the Age of Exploration and beyond, sea monsters have been depicted in various forms and styles on maps, capturing the imagination of cartographers and map enthusiasts alike. In this article, we'll explore the history of sea monsters on maps, their significance, and their enduring appeal.

The earliest known examples of sea monsters on maps date back to the medieval period, when maps were used primarily as navigational tools. These monsters were typically depicted as fierce creatures, often with multiple heads, sharp teeth, and serpentine bodies. They were placed in areas of the map that were believed to be unexplored or dangerous, and served as warnings to sailors of potential hazards in the waters ahead.
Sea monster illustrations on maps were not always meant to be taken literally. In some cases, they were used to symbolize political or religious concepts. For example, the sea serpent was sometimes used to represent the devil, while the whale was often used to symbolize the biblical story of Jonah and the whale.

The use of sea monster illustrations on maps declined in the 17th century as cartography became more advanced and accurate. However, they continued to be used in works of art and literature well into the 19th and 20th centuries. Today, sea monsters on old maps are considered fascinating examples of the intersection between art, science, and mythology.

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Berlinghieri's Ptolemaic world map with vibrant hand-drawn colour, featuring 12 Wind Heads around the outside of the map

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Two colour Ptolemaic Map of the World, printed mostly in black with highlights in red the secondary colour.

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Sea monsters have been a fascinating and enduring element of cartography for centuries. From medieval maps to the Age of Exploration and beyond, sea monsters have been depicted in various forms and styles on maps, capturing the imagination of cartographers and map enthusiasts alike. In this article, we'll explore the history of sea monsters on maps, their significance, and their enduring appeal.
The earliest known examples of sea monsters on maps date back to the medieval period, when maps were used primarily as navigational tools. These monsters were typically depicted as fierce creatures, often with multiple heads, sharp teeth, and serpentine bodies. They were placed in areas of the map that were believed to be unexplored or dangerous, and served as warnings to sailors of potential hazards in the waters ahead.
Sea monster illustrations on maps were not always meant to be taken literally. In some cases, they were used to symbolize political or religious concepts. For example, the sea serpent was sometimes used to represent the devil, while the whale was often used to symbolize the biblical story of Jonah and the whale.
The use of sea monster illustrations on maps declined in the 17th century as cartography became more advanced and accurate. However, they continued to be used in works of art and literature well into the 19th and 20th centuries. Today, sea monsters on old maps are considered fascinating examples of the intersection between art, science, and mythology.

This collection is a small contribution to a better understanding of human endeavour and the development of thought, a never ending story ”

- Neil Sunderland

a beautiful map

full screen image

different text colums

Maps were often decorated with elaborate illustrations, and sea monsters were a popular motif. They added visual interest and helped to fill the empty spaces on the map.

Many regions of the world were still unexplored during the medieval period, and maps often included fanciful illustrations to represent the unknown and mysterious lands beyond the known world. Sea monsters were one way to symbolize the dangers and uncertainty of these uncharted waters.

Sea monsters have been part of human mythology and folklore for thousands of years. They were often associated with the supernatural and the unknown, and their inclusion on maps reflected the belief that the sea was a place of mystery and danger.

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Sea monsters have been part of human mythology and folklore for thousands of years. They were often associated with the supernatural and the unknown, and their inclusion on maps reflected the belief that the sea was a place of mystery and danger.

Black and white sea monster

Hondius Sea monster

Sea monsters have been a fascinating and enduring element of cartography for centuries. From medieval maps to the Age of Exploration and beyond, sea monsters have been depicted in various forms and styles on maps, capturing the imagination of cartographers and map enthusiasts alike. In this article, we'll explore the history of sea monsters on maps, their significance, and their enduring appeal.
The earliest known examples of sea monsters on maps date back to the medieval period, when maps were used primarily as navigational tools. These monsters were typically depicted as fierce creatures, often with multiple heads, sharp teeth, and serpentine bodies. They were placed in areas of the map that were believed to be unexplored or dangerous, and served as warnings to sailors of potential hazards in the waters ahead.
Sea monster illustrations on maps were not always meant to be taken literally. In some cases, they were used to symbolize political or religious concepts. For example, the sea serpent was sometimes used to represent the devil, while the whale was often used to symbolize the biblical story of Jonah and the whale.
The use of sea monster illustrations on maps declined in the 17th century as cartography became more advanced and accurate. However, they continued to be used in works of art and literature well into the 19th and 20th centuries. Today, sea monsters on old maps are considered fascinating examples of the intersection between art, science, and mythology.

Sea monsters have been a fascinating and enduring element of cartography for centuries. From medieval maps to the Age of Exploration and beyond, sea monsters have been depicted in various forms and styles on maps, capturing the imagination of cartographers and map enthusiasts alike. In this article, we'll explore the history of sea monsters on maps, their significance, and their enduring appeal.
The earliest known examples of sea monsters on maps date back to the medieval period, when maps were used primarily as navigational tools. These monsters were typically depicted as fierce creatures, often with multiple heads, sharp teeth, and serpentine bodies. They were placed in areas of the map that were believed to be unexplored or dangerous, and served as warnings to sailors of potential hazards in the waters ahead.
Sea monster illustrations on maps were not always meant to be taken literally. In some cases, they were used to symbolize political or religious concepts. For example, the sea serpent was sometimes used to represent the devil, while the whale was often used to symbolize the biblical story of Jonah and the whale.
The use of sea monster illustrations on maps declined in the 17th century as cartography became more advanced and accurate. However, they continued to be used in works of art and literature well into the 19th and 20th centuries. Today, sea monsters on old maps are considered fascinating examples of the intersection between art, science, and mythology.

A colourful illustration of a volvelle

This is an old watch

The Sunderland Collection stands as a remarkable testament to the power of exploration, cartography, and the preservation of historical knowledge. Comprising a vast array of old atlases, this collection represents a rich tapestry of human understanding of the world throughout various periods in history. From ancient civilizations to the age of discovery and beyond, the Sunderland Collection offers a unique opportunity to delve into the evolution of maps and the ways in which they shaped our perception of the world. In this essay, we will explore the significance of the Sunderland Collection and the invaluable insights it provides into the history of cartography.

I. The Origins of the Sunderland Collection: A. The Sunderland Family: The origins of the collection can be traced back to the Sunderland family, who were avid collectors of atlases and maps throughout the 18th and 19th centuries. B. Robert Sutton and Alexander Wilkinson: The collection was further expanded through the efforts of Robert Sutton and Alexander Wilkinson, who acquired and added numerous atlases to the collection during the late 19th and early 20th centuries.

II. The Scope and Significance of the Collection: A. Vast Historical Range: The Sunderland Collection encompasses atlases spanning various periods, from medieval maps to the Renaissance, the age of exploration, and beyond, offering a comprehensive overview of the evolving understanding of geography. B. Cultural and Historical Insights: Each atlas within the collection provides a window into the cultural, political, and scientific perspectives of the time in which it was created, offering invaluable insights into the worldview of past societies. C. Evolution of Cartography Techniques: The Sunderland Collection showcases the progression of cartography techniques, from early hand-drawn maps to the introduction of printing techniques and the incorporation of new geographical knowledge.

III. Notable Atlases within the Collection: A. Ptolemy's "Geographia": The Sunderland Collection includes several editions of Ptolemy's "Geographia," a seminal work in the history of cartography that shaped European perceptions of the world for centuries. B. Mercator's "Atlas": Gerhard Mercator's "Atlas" is a notable inclusion, known for its innovative projection system that facilitated accurate navigation and greatly influenced subsequent mapmaking. C. Blaeu's "Atlas Maior": Joan Blaeu's "Atlas Maior" is a renowned atlas that featured elaborate illustrations and detailed maps, exemplifying the craftsmanship and artistry of the period.

IV. The Legacy and Importance of the Sunderland Collection: A. Historical Preservation: The Sunderland Collection serves as a vital resource for scholars, researchers, and historians, preserving invaluable knowledge about the world's past perceptions. B. Educational Value: The collection offers unique educational opportunities, allowing students and enthusiasts to explore the evolution of cartography, understand cultural contexts, and appreciate the craftsmanship behind these old atlases. C. Inspiration for Contemporary Cartographers: The Sunderland Collection inspires contemporary cartographers to build upon the knowledge and techniques of the past while exploring new frontiers in mapping and geospatial visualization.

Conclusion: The Sunderland Collection stands as a treasure trove of old atlases, providing a captivating journey through the history of cartography. By studying these ancient maps, we gain a deeper understanding of how human knowledge and exploration have shaped our understanding of the world. The collection's vast historical range, cultural insights, and demonstration of evolving cartographic techniques make it an invaluable resource for scholars, educators, and anyone intrigued by the beauty and complexity of maps. As we continue to push the boundaries of geographical knowledge, the Sunderland Collection serves as a reminder of the enduring power of maps to inform, inspire, and connect us to our shared past.

Robert Greene's 'A New Map of the World', double-hemisphere world map, largely in black and white with some added colour by hand.
Peter Stent's double-hemisphere world map, elaborately embellished with top and bottom borders and text that reads: A new and accurate map of the world drawn according to the best and late discoveries
Preview of Johann Reger's re-issue of the famous Ulm Ptolemaic map in original colour with 12 Wind Heads around the outside
Ptolemaic World Map printed from a woodcut by Lienhart Holl with 10 Wind Heads around the outside of the map

Old hemisphere maps often feature intricate illustrations of sea monsters, adding a touch of myth and mystery to the cartography. These fantastical creatures were believed to inhabit uncharted waters, symbolizing the unknown dangers of the seas. The detailed artwork not only served as a warning but also showcased the mapmaker's artistic skill and imagination.

Mar15

Mapping Innovations Symposium

15 Mar, 2025, 09:30 - 15 Mar, 2025, 16:45

Blackwell Hall, Bodleian Library, Oxford

Join us for a day of exploration into the art and science of cartography at the Mapping Innovations Symposium. This event will feature expert speakers discussing the latest advancements in map-making, from historical perspectives to digital innovations.

Book tickets
0915 - 0945

Registration and Coffee (Blackwell Hall)

1000 - 1015

Welcome

Richard Ovenden, OBE
Head of Gardens, Libraries and Musems at Oxford University; Bodley's Librarian

1015 - 1200

Panel and Q&A: The art of cartography and new evidence

Speakers:

John Barrett-Material evidence of the surface of objects Lead

Photographer at ARCHIOX

Nick Millea - Spectacular! A digital exploration of the Gough Map Map

Curator at Bodleian Libraries

Yossef Rapoport - The Greatest Medieval Map-Maker: Al-Sharif al-Idrisi and Roger's Silver Disc

Professor of Islamic History at Queen Mary University, London

Dr. Sanne Frequin-A Ship's Globe in the Centraal Museum, Utrecht

Assistant Professor of Humanities and Art History, University of Utrecht

Chairperson: Judith Siefring Head of Digital Collections Discovery at Bodleian Libraries

1200 - 1230

Coffee Break (Blackwell Hall)

1230 - 1300

Bruce Mau- Nesting Globes: visualising the current global situation

Architect, designer, and educator

1300 - 1400

Lunch Break (Blackwell Hall)

During lunch, there will be an exhibition and demonstration of the Selen Photometric Stereo System with its designer, Jorge Cano.

1400 - 1545

Panel and Q&A - Mapping in a digital world

Speakers:

Dr. Katherine McDonough - Map Search: using Al to explore map content

Lecturer in Digital Humanities at Lancaster University; Senior Research Fellow and head of the Machines Reading Maps Project at The Alan Turing Institute


Sarah Kenderdine - Deep Mapping: from archives to the universe

Professor of Digital Humanities at École Polytechnique fédérale de Lausanne (EPFL), Switzerland; Director of the Laboratory of Experimental Museology.


Ed Parsons - "Is that the world in your pocket?"

Geospatial technologist and Google evangelist


Chairperson: Giovanni Pala economic historian of technology and information

1545 - 1600

Conclusions

Adam Lowe
Founder, Factum Foundation and Factum Arte

Download programme
Feb10

Simple event

10 Feb, 2025, 09:00 - 25 Dec, 2025, 03:27
1000 - 1200

Morning symposium

1200-1300

Lunch

1300-1500

Afternoon Q&A

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